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In the camp was a beautiful girl named Mā-mĭn´—the Wing—whom all the young men wished to marry, but perhaps Red Robe loved her more than all the rest. Her father was a rich old medicine man who never invited any except chiefs and great warriors to feast with him, and Red Robe seldom entered his lodge. He used to dress as well as he could, to braid his hair carefully, to paint his face nicely, and to stand for a long time near the lodge looking entreatingly at her as she came and went about her work, or fleshed a robe under the shelter of some travois over which a hide was spread. Then whenever they met, he thought the look she gave him in passing was friendly—perhaps more than that. "Eh?" says Geoffrey, rousing himself and smiling genially. "A mistake? Oh, no. She never makes mistakes. I was thinking of something else. But she really ought to be in now, you know; she will catch her death of cold." "Aren't you?" says Mona, in her tender fashion, that implies so kind a doubt. Raising one hand (the other is imprisoned), she draws his face down to her own. "I wouldn't have you altered in any way," she says; "not in the smallest matter. As you are, you are so dear to me you could not be dearer; and I love you now, and I shall always love you, with all my heart and soul.".

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At last, one day, Old Man decided that he would make a woman and a child, and he modelled some clay in human shape, and after he had made these shapes and put them on the ground, he said to the clay, "You shall be people." He spread his robe over the clay figures and went away. The next morning he went back to the place and lifted up the robe, and saw that the clay shapes had changed a little. When he looked at them the next morning, they had changed still more; and when on the fourth day he went to the place and took off the covering, he said to the images, "Stand up and walk," and they did so. They walked down to the river with him who had made them, and he told them his name. He told the old women to move over to the bear-painted lodge and after this to live in it. It was theirs. "I have heard of you," says Mona, quietly. Then, pointing towards that part of the wood whither he would go, she says, coldly, "I regret I cannot tell you where this path leads to. Good-morning." "Go," she says, again, entreatingly, still with her hand on Geoffrey's breast, as though to keep him back, but with her eyes on Paul..